PDF Ebook Foundations in Comic Book Art: SCAD Creative Essentials (Fundamental Tools and Techniques for Sequential Artists)
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Foundations in Comic Book Art: SCAD Creative Essentials (Fundamental Tools and Techniques for Sequential Artists)
PDF Ebook Foundations in Comic Book Art: SCAD Creative Essentials (Fundamental Tools and Techniques for Sequential Artists)
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About the Author
JOHN PAUL LOWE began teaching at the Savannah College of Art and Design in 2002. He has served as the school’s chair of the Sequential Art Department and as dean of the School of Communication Arts. In 2013, he happily returned to the classroom and his art studio. His career in comics began in 1991 with DC Comics. Lowe has also worked for Marvel Comics, Image Comics, Archie Comics, and Dark Horse Comics. Lowe is the creator of the award-winning annual Sequential Arts Anthology, and the author of Working Methods: Creators Detail their Storytelling and Artistic Processes. The Savannah College of Art and Design (SCAD) is a recognized leader in art and design education. SCAD’s talented faculty members are drawn from around the world and have exceptional credentials and valuable professional experience. Professors and alumni have worked for companies such as Marvel Comics and DC Comics, Walt Disney Company, Lucasfilm Ltd., Pixar, Electronic Arts, and many more. For more information on SCAD and its programs, visit www.scad.edu.
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Excerpt. © Reprinted by permission. All rights reserved.
FOREWORDOne of the saddest lessons you will learn when you go to art school is that your art is not very good. One day in sophomore year you will look down at your Dali-inspired colored pencil drawing of anthropomorphic lizards, and you won’t be able to ignore it any longer. You’ll look up at your professor and see it in her eyes: she thinks you’re a bad artist. She thinks you’re a bad artist, and she doesn’t think you’re ever going to get better. “Very creative,” she’ll say. “Thanks,” you’ll say. John Lowe thinks you can get better. In fact, he’s sure you can get better. He’s sure you can get good. This is what makes John Lowe a great teacher and an unusual one. If you are his student, he is interested in you and he is interested in your art. He finds out what your goals are, and he doesn’t let you forget them. He finds out what your comfort zone is, and he jabs and teases you out of it. He finds out what tools you’re used to using, and he doesn’t let you use them anymore. He finds out how much homework you’re used to doing, and he assigns twice as much. He takes artwork you were up all night working on and tells you to change everything. He tells you to change everything, and you squawk in disbelief, and John laughs and say, “Nothing’s precious.” And it’s true: nothing you put on paper is precious. You have something else that’s precious, and it’s something John will find for you when you can’t find it yourself anymore. It’s why you started drawing in the first place. It’s in your hand, your eyes, your heart. Don’t lose it. Don’t let it get away. Eleanor Davis SCAD Alumna Eleanor Davis a cartoonist and illustrator. She created the graphic novels The Secret Science Alliance and The Copycat Crook. Her work has been recognized by the Society of Illustrators and Print. She has won the Theodor Seuss Geisel Honor and the Russ Manning Award. Originally from Arizona, Davis now lives in Georgia.
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Product details
Series: SCAD Creative Essentials
Paperback: 160 pages
Publisher: Watson-Guptill (August 12, 2014)
Language: English
ISBN-10: 077043696X
ISBN-13: 978-0770436964
Product Dimensions:
8.6 x 0.5 x 10.9 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
47 customer reviews
Amazon Best Sellers Rank:
#54,270 in Books (See Top 100 in Books)
As soon as this book came out of the envelope, there was a mad grab for it by my thirteen year old. He's really the only one of us who has any amount of artistic ability (at least when it comes to drawing) and as he flipped through the pages, I could tell that he would be coming back to this book many, many times. When I had a chance to read through it, I was especially taken with the fact that the author appreciates individuality and leads the reader through the book in a series of chapter leading from easiest to most difficult. So long as you don't skip ahead, anyone with artistic drawing ability should be able to follow along and certainly to learn. I know that I learned a lot and while I had a very solid appreciation for what my artist friends do when they work on comics, this just cemented just how awesome that they are. If you have any interest in comic book art, becoming a comic book artist, improving your own artwork or just want to flip through a book with some amazing work in it, written by someone who is down to earth, pick up this book. It's another that I'm suggesting for the holiday gift giving season.
I was very fortunate to have John Lowe as my professor in a several classes in SCAD. In this book, John Lowe explains everything as it is, very clear and straight forward --with his own and students' examples, how to's, and exercises, just like how he conducts his classes. I think it's interesting and important that he includes his and his students' works so the readers can see how other people approached the subject he teaches. It doesn't matter how many pages I have drawn, I find myself refer back to something in this book time to time. This book is timeless and just like how the book is to me, it will be one of those books you'd want to have around whether you're doing comics as a hobby or whether you want to do comics professionally.Also, don't worry if English is not your first language, it isn't mine either --the book is still very easy to understand. The author divides the book into several chapters with increasing difficulties so as long as you don't skip chapters, you'll be fine :D.
Excellent! To quote the book (put into words how I felt when I read it). “I imagined the book my students (and my younger self) would want to discover at a library.( John Paul Lowe, pg 11). By page 23, starting learning concepts about perspective I had not learned in other books! So many art books want to just show off the authors talent, but this book is well illustrated and shows the authors talents. I have heard that SCAD has a excellent reputation in arts and design, but now others of us who could not make it to SCAD have a chance to learn sequential art! Thanks to the author for excellent presentation and style! Highly recommend!
I'm an indy comic book artist and over the years I've bought several art books and art books specifically geared for comic books. A good deal of them out there are lack luster and only cover a small amount of what there is to learn. This book however, in my opinion, is one of the best out there on the subject! It covers a lot of ground and there's lots of great illustrations through out. Everything from penciling to perspective to computer coloring. Great purchase!
This is a good book and worth the $17 I paid for it. The advice, information, and exercises are good. But that said, I wouldn't necessarily recommend it to others in most cases, since there are better books which cover the same subject matter more thoroughly. (See the end of this review for titles I would recommend instead).The case where I would recommend it is to a budding artist, and in conjunction with something such as How To Draw Comics The Marvel Way, which will fill in a couple of key blanks in Foundations is Comic Book Art.All of the material in this book is good, and the few exercises are excellent, but it's fundamentally incomplete in any aspect to be considered a great book. I would have found it revolutionary if I had read it within the first few years after I started taking art more seriously (say early to mid teens) but now there isn't much to be gained from this book for me.What surprised me the most is that there is very little that is specific to comic book art. About 80% of the book is information that would apply to any drawing style, which is fine, but I was expecting something more focused. And none of the information is given a very thorough treatment, except for inking (more on that below), which gets a fair treatment, although not exhaustive. And although there is a "Figure" chapter, there is almost nothing of value in terms of figure drawing or visual character development, which in my opinion leaves the book incomplete.Also nothing really about translating story or action to the panel.The exception to the shortcomings is the inking section, which consists of 2-1/2 chapters. It is the most complete segment of this book, and is very good. I have other books on drawing with ink that I prefer, but those aren't specifically geared to comic book inking.So all in all, good material, just lacking in depth.For the deeper dive I would recommend:How to Draw: drawing and sketching objects and environments from your imagination, which covers all of the same general drawing information covered in Foundations in Comic Art's second and third chapters, plus a lot more, and in exhaustive detail. The angle is more from a design perspective, but can be applied to a broad array of drawing disciplines.Scott McClouds books, Understanding Comics: The Invisible Art and Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels which are an incredibly in depth approach to comic theory.Force: Dynamic Life Drawing for Animators (Force Drawing Series) to supplement the missing translation of character and action into image.Really any good text on figure drawing such as Figure Drawing: Design and Invention. Or Bridgman, Loomis, etc.My favorite inking book Rendering in Pen and Ink: New Edition of the Classic Book on Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers is a wealth of knowledge if you're going to be attaching the subject with traditional materials.Getting each of those books will set one back a little bit, and will take a fair bit longer to study and practice. So maybe this smaller, less expensive book is a good starting point... but if you have the time and money, go with the better materials and give the subjects the careful study and practice that they deserve.
I started to learn to draw over a year ago and ordered this book. John Paul Lowe is an excellent teacher and this book which for me is now a gold standard in drawing has improved my drawing skills a hundred fold. This is a real keeper.
This book has been extremely popular in my house the last few days - with every member of the family flipping through the pages - not only enjoying the illustrations by John Paul Lowe but also the friendly manner he explains how to achieve results. For me, what I like best is his appreciation for individuality - he isn't teaching a robotic pattern to follow - but rather a careful set of basics that allow each of our inner voices to be expressed on paper. Now, those pale white sheets of paper and pointed pencils are now less intimidating to me. It all seems doable and achievable and a heap of fun.
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